The ontological imperative of the creative process demands a radical reconfiguration of the epistemological paradigms that underpin the discourse on the simulacrum. By interrogating the performativity of the imagination and the dialectical interplay between the conscious and unconscious mind, we can begin to deconstruct the hegemonic narratives that perpetuate the heteronormative discourse on creativity. Moreover, the intersectionality of gender, race, and class within the postcolonial context necessitates a critical re-examination of the neoliberal capitalist system, which often stifles the creative impulse. Through a nuanced analysis of the hermeneutic circle, we can begin to envision a more just and equitable future where creativity flourishes.